Tatsumi Hijikata’s Choreographic Timeline
1958
Dance of Burial Mound Figurine
1959
Forbidden Colors
1960
Flowers
Seeds
Divine (A choreography for Kazuo Ohno)
Disposal Place
Saint Marquis
Navel & A-Bomb (Directed by Hijikata and Eiko Hosoe) | video
1961
Secret Ceremony of a Hermaphrodite in the Early Afternoon
Sugar Candy
1962
Three Phases of Leda
1963
Masseur: A Story That Supports Passion (Anma) | video
1965
Rose Colored Dance: To Mr. Shibusawa’s House | video
1966
Instructional Illustrations For the Study of Divine Favor in Sexual Love: Tomato
1967
Emotion in Metaphysics
Butoh June
1968
Bride [Cat]
Untitled (First Yoko Ashikawa Choreography)
Hijikata Tatsumi and The Japanese: Rebellion of The Body | video 5 minute excerpt
1970
Seed of a Mute
Seaweed, The Dialect of Tohoku
1971
Selling Love
1972
Note of Regret
Twenty-Seven Nights for Four Seasons — Part of this piece was Candy Avalanche. See Candy Avalanche’s butoh-fu and scrapbook.
1973
Hosotan (A Story of Small Pox) | video
Quiet House | butoh-fu
Summer Storm | video
1974
Drawing of White Peach
The Beauty and The Disease
Sun Moon Ball
The Utter Darkness Butoh Ohno at House of Ebisu
Siren Salmon
1975
Rhapsody in “Futashinaya”
Lover of Mr. Bakke
Shall Not Wake The Women Up
Small Parasol
A Blind Girl Who Lies
The Utter Darkness Version of Princess Kagula
1976
Pear Head
It Was A Night Like This
Human Shape | 2:29 video excerpt
Costume in Front: A Model of Darkness For Boys and Girls
Lady on the Whale String | 2 minute video excerpt
1978
12 Phases of a Dancing Girl of Darkness: Fortnight for the Louvre Palace
Untitiled choreographies for Nimura Momoko and Yukio Waguri Choreographies
1983
Breasts of Japan
1984
Hawk Parlor
Performance of the Establishment of The Love Butoh School
1985
Tohoku Kabuki Project 1, 2, 3, and 4 (Part 4 is Hijikata’s final official choreography | 5 minute excerpt video)
The Last Card to The Familiarity
Dahlia of Aburamen
Nanoko, Kurihara. Hijikata Tatsumi Cronology. TDR. The Drama Review. Volume 44, number 1 (T 165). Sring 2000. Pages 29 to 33.
